The name Astha Tamang - Maskey holds a special place in the chronicles of modern Nepali music. At a time when independent solo musicians were a rare phenomenon, 19-year-old Tamang-Maskey rose to prominence with her debut album, Sabai Thikai Huncha in 2009. Over the next few years, she quietly became an instrumental figure in the evolution of modern Nepali music as a whole. Tamang-Maskey recently returned to the public eye to celebrate her fifth album release, Sa Re Ga Ma Pa.
The event took place on August 31 at the QFX Cinemas in Chhaya Center, a novel audiovisual experience that was as much about the old as it was about the new. Speaking in the midst of close family, friends, and collaborators, her voice brimmed with gratitude and nostalgia as she walked the audience down the memory lane, presenting an acoustic set of her most cherished classics, in their purest form.
As the set opened with It’s Gotta Be Love, the years rolled back and the audience found themselves living their yesteryears, beloved memories evoked through the magic of the strings. Each note shaped by Tamang-Maskey’s voice felt tinged with an added significance, a noticeable depth of feeling; each song brought back memories of a different time. Harek Saas Sita brought on a sweet nostalgia that spoke of a different time than Sabai Thikai Huncha. The opening notes of Khaali brought to mind its iconic music video, each avant garde change in pace evoking vivid visualisations of its allegorical drama.
- The Himalayan Times